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“... Andrew Crozier has lately written an exceptionally searching essay about British poetry since 1945,* in which Norman MacCaig is named just once in passing. There is nothing wrong with that; Crozier isn’t attempting one of those limp ‘surveys’ in which everyone who deserves mention gets it ...”

“... thirty years after the best of them began to publish – John James, Chris Torrance, Lee Harwood, Andrew Crozier, Peter Riley, J.H. Prynne, Michael Haslam, Douglas Oliver, Barry MacSweeney, Denise Riley – they must nonetheless wonder, from time to time, whether theirs is a case of having missed the boat which would only have been worth catching if ...”

“... nothing happen, then the poetry anthology has no such self-effacing qualms. Blake Morrison and Andrew Motion knew this, as did the predecessor they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin Book of Contemporary ...”

“... the whole thing there), his plain-but-emotional rhythms and syntax remind one of Larkin and even Andrew Motion. A more surprising influence is Eliot: ‘My self-possession gutters; we are really in the dark’ has the sort of rhythmical hysteria and claustrophobic shadowiness that Hamilton has made his own; and a line from ‘La Figlia Che ...”

“... George Steiner, Geoffrey Hill, Elizabeth Daryush and the fraternity of poets anthologised by Andrew Crozier and Tim Longville in A Various Art. It also includes a number of Davie’s poems. If we were to read the adjective ‘British’ in the subtitle of the book as an indication of defensive nationalism, we would be seriously wrong. Davie writes ...”

“... importance of these matters. A letter was folded into the book, from a predecessor of his named W. Crozier. History records almost as little of Crozier as of Hollingsworth (though the National Portrait Gallery holds a bromide print of the latter) and as I travelled into the year-by-year compendia of lost things I began to ...”

“... Davidson calls Discrete Series a ‘rather modest book’, but this is true only of its size. Andrew Crozier is surely right to say, in Modern American Poetry (1984), that it is ‘almost too deliberately calculated, with an unconcealed but obscure polemic intention; it is decidedly self-possessed.’ Something of the poems’ self-possession would ...”

“... into the machine – and in the long term such people leak. Without doubt, the richness of the Andrew and Dilks collection owes much to such factors. Most of the essays are concerned with the 1900-45 period, and one learns of such fascinating byways as Japanese covert support for Russian socialist revolutionaries against the Tsar, and the intelligence ...”

“... Britten was asked to write an opera for the Festival of Britain, Forster collaborated with Eric Crozier on the libretto of Billy Budd. That enterprise required him to work closely with the composer, which he did, though not without some friction; but this first-hand experience of writing words for music must have both drawn on and enhanced his musical ...”